PRRPGS 029

Genesis
Boston Music Hall
Boston, MA
Feb. 24th 1977

Source1: Dan Lampinski
Location: Right-center G14
Lineage:  Nakamichi 550 Tape Recorder > Two Nakamichi CM-300 Microphones >
              Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> 
              M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files ->
              Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> DIME


Source2: Hezekiahx2 
Location: 4th row far left
Lineage:  Sony ECM-99A (hand held one point stereo mic)  > Sony TC-152 Portable Cassette Deck
              (Tape Position 'Normal' / Dolby 'B' in) > Maxell UD90 Tape > Tascam 122 MKII 
              (Tape Position 'Normal' / Dolby 'B' out) > Tascam CD-RW2000 --> EAC --> CDWAV --> DIME
Taper2 comment: There were other people recording this night (at least 2 others). I know there was another 
                          TC-152 or TC-158 recording on the right side in the 3rd row. There is also a Nak recording 
                          of the show. Quality is very good except there is a girl (probably a grandmother now) hooting 
                          between songs. I got caught up in the performance and had to make a cassette flip @ 6:13 mins
                          into Supper's Ready. Otherwise the show is complete. A fresh transfer from my original cassettes.


CD1
01 01 Squonk  7:49
01 02 One for the Vine  11:40
01 03 Robbery, Assault & Battery  7:31
01 04 Your Own Special Way  7:27
01 05 Firth Of Fifth  9:30
01 06 The Carpet Crawlers  7:07
01 07 In That Quiet Earth  4:41
01 08 Afterglow  4:42
01 09 I Know What I Like  9:04
Total Time 69:31

CD2
02 01 Eleventh Earl of Mar  10:18
02 02 Supper's Ready  25:14
02 03 Dance on a Volcano  4:18
02 04 Drum Duet  1:09
02 05 Los Endos  9:04
02 06 The Lamb Lies Down on Broadway  4:42
02 07 The Musical Box  3:37
Total Time 58:22


Remaster Source 1
1. Re-balance tonality/EQ
2. Attenuate disruptive claps during songs
3. Repair clicks and pops.
4. Reduce Hiss
5. Patch tape flips with alternative source

Remaster Source 2
1. Re-balance tonality/EQ
2. Attenuate disruptive claps and coughs during songs
3. Repair clicks and pops.
4. Reduce Hiss
5. Patch tape flips with alternative source
6. Correct speed and pitch error

Remaster
1. Remaster source 1
2. Remaster source 2
3. Synchronize sources
4. Combine and create stereo field
5. Correct phasing and center stereo field
6. Balance channels and power.
7. Patch non-overlapping segments
8. Track as continuous performance.

